ALL LESSONS INDEX
Lessons:
1ST AND 2ND SCALE FORMS (MAJOR) COMBINED
12-BAR PROGRESSIONS (OPEN POWER CHORDS)
12-BAR PROG (5TH AND 6TH INTERVALS)
12-BAR PRO (5TH, 6TH, AND FLAT7TH INTERVALS)
28 GUITAR BATTLE TECHNIQUES (FULL MEMBERS VERSION)
3-NOTE PER STRING (ORANGE FORM)
3-NOTE PER STRING (YELLOW FORM)
3-NOTE PER STRING (GREEN FORM)
3-NOTE PER STRING (INDIGO FORM)
3-NOTE PER STIRNG (VIOLET FORM)
30-MINUTE GUITAR WORKOUT (FINGER SHREDDER)
3/4 THUMB POSITION (FOR PLAYING LEAD WHILE STANDING)
5 GUITAR ACCESSORY SUBSTITUTIONS
6 SPIDER EXERCISE MYTHS BUSTED
7 WAYS TO PLAY THE 2ND FORM BARRE CHORD
6TH CHORDS (BASED ON 4TH & 2ND BARRE FORMS)
A5 TO A6 POWER CHORDS (MOVEABLE)
ALL 7 3-NOTE-PER-STRING (COLOR FORMS) WORKOUT
ALL 7 3-NOTE-PER-STRING (COLOR FORMS) WORKOUT *NO TALKING VERSION
ALL 7 MODES USING 4TH FORM MAJOR SCALE SHAPE
ALTERNATE OPEN CHORD FINGERING
ANCHORING YOUR PICKING HAND (FLOATING TECHNIQUE)
BARRE CHORD RIFF (4TH FORM MAJOR)
BARRE CHORD RIFF (2ND, 4TH FORMS MAJOR)
BENDS- PRE-LESSON FOR CS: (WHOLE & HALF STEP)
BUILDING CHORDS, MAJ, MIN, 7TH (THEORY TIME)
C MAJOR SCALE (ACROSS THE STRINGS)
CAPO (HOW TO USE) (INTERMEDIATE)
CHORD CHANGES (MAJOR AND MINOR)
CHORD MELODY, INTRO TO (PART 1)
CHORD PROGRESSIONS (BASED IN C MAJOR)
CHORD SWITCH WITHIN STRUM PATTERNS
CHORD THEORY (TRIADS IN THE KEY OF C)
CHORD-TONE ARPEGGIO (4TH FORM MAJOR)
CHORD-TONE ARPEGGIO (2ND FORM MAJOR)
CHORD-TONE ARPEGGIO (4TH FORM MINOR)
CHORD-TONE ARPEGGIO (2ND FORM MINOR)
CHORD-TONE TARGETING (INTRO TO)
CORRECT TERMINOLOGY FOR NECK NAVIGATION
DAILY DOWNSTROKE ROUTINE (FOR SPEED AND STAMINA)
DAILY PRACTICE ROUTINE (LEVEL 1)
DIATONIC SCALE (1ST FORM MAJOR)
DIATONIC SCALE (2ND FORM MAJOR) ONE OCTAVE
DIATONIC SCALE (3RD FORM MAJOR)
DIATONIC SCALE (4TH FORM MAJOR) ONE OCTAVE
DIATONIC SCALE (5TH FORM MAJOR)
DIATONIC SCALE (2ND FORM MINOR)
DIATONIC SCALE (4TH FORM MINOR)
DIATONIC AND PENTATONIC SCALES (5TH FORM MINOR)
DIATONIC AND PENTATONIC SCALES (1ST FORM MINOR)
DIATONIC AND PENTATONIC SCALES (3RD FORM MINOR)
DIATONIC AND PENTATONIC SCALE (2ND FORM MAJOR) TWO OCTAVES
DIATONIC AND PENTATONIC SCALES (4TH FORM MAJOR) TWO OCTAVES
DOMINANT 7TH BARRE CHORDS (4TH, 2ND FORMS)
DOMINANT 7TH BARRE CHORDS (1ST, 5TH, AND 3RD FORMS)
DOMINANT 7TH BARRE CHORD MIXED PROGRESSIONS (4TH, 2ND FORMS)
DOMINANT 7TH BARRE CHORDS PROGRESSIONS (4TH, 2ND FORMS)
DOUBLE YOUR FINGER STRENGTH/SPEED
E5, A5, D5 POWER CHORDS (OPEN)
ENHANCE YOUR OPEN CHORDS (FULL VERSION)
FINGERPICKING, INTERMEDIATE (PATTERN 1)
FINGERPICKING, INTERMEDIATE (PATTERN 2)
GROUPING THE REST OF THE FORMS
HOW TO AVOID BACK PAIN (WHILE PRACTICING)
ii, V, I Progression (Maj7, Min7, Dom7 Chords)
IMPROVISING OVER CHORD CHANGES (PENT SCALE ‘Lower Frets’)
IMPROVISING OVER CHORD CHANGES (PENT SCALE ‘Higher Frets’)
IMPROVISING OVER CHORX CHANGES (MODES)
IMPROVISING USING ONE SCALE (MAJOR DIATONIC)
IMPROVISING USING ONE SCALE (MAJOR PENTATONIC)
IMPROVISING USING ONE SCALE (MINOR PENTATONIC/BLUES SCALE)
INTRO TO (LEVEL 1) DAILY PRACTICE ROUTINE
JINGLE BELLS LESSON (LEAD & RHYTHM)
THE L AND T SHAPES FOR CHORD PROGRESSIONS
MAJOR CHORDS (ALL SHARP KEYS) I, IV, V
MAJOR CHORD (HENDRIX FORM MOVEABLE)
MAJOR, MINOR, DOM7TH CHORD PROGRESSIONS
MAJOR SCALE ALL KEYS (THEORY TIME)
MAJOR 7TH CHORDS (OPEN POSITION)
MINOR 7TH CHORDS (OPEN POSITION)
MINOR SCALE, NATURAL (THEORY TIME)
MODES (ALL SEVEN) EASY KEYBOARD VISUAL
MODIFIED BIG DIPPER SHAPE, (MAJOR PENTATONIC)
MUTING, LEFT HAND (FRETTING HAND)
NATURAL HARMONICS, FULL SONG (AULD LANG SYNE)
NOTES, OPEN POSITION: (1ST, 2ND, 3RD STRINGS)
NOTES, OPEN POSITION: (4TH, 5TH, 6TH STRINGS)
PEDALBOARD (EFFECT PEDAL) BREAKDOWN
PENTATONIC EXERCISE (ALL 5 FORMS)
PENTATONIC SCALE (1ST FORM MAJOR)
PENTATONIC SCALE (3RD FORM MAJOR)
PENTATONIC SCALE (5TH FORM MAJOR)
PENTATONIC SCALE (2ND FORM MAJOR) ONE OCTAVE
PENTATONIC SCALE (4TH FORM MAJOR) ONE OCTAVE
PENTATONIC SCALE (2ND FORM MINOR)
PENTATONIC SCALE (4TH FORM MINOR)
PENTATONIC SCALES (THEORY TIME)
PENTATONIC W/HAMMER ONS/PULL OFFS (MOVEABLE)
POWER CHORDS, MOVEABLE (6TH STRING)
POWER CHORD PROGRESSIONS (6TH STRING)
POWER CHORD PROGRESSIONS (6TH AND 5TH STRINGS)
PUTTING CHORDS AND LICKS TOGETHER
QUARTER NOTE AND EIGHTH NOTE COUNTING
RETRIEVING A FALLEN PICK FROM YOUR GUITAR (PLUS A BONUS OPTION)
RHYTHMIC INNER PULSE LESSON (LEVEL 1)
SIXTEENTH NOTE AND DOTTED QUARTER NOTE COUNTING
SMALL CHORDS, SWITCHING BETWEEN
SMALL CHORDS, USING ALL (SONG)
SPIDER EXERCISE (INTERMEDIATE)
SPIDER EXERCISE (MULTI-STRING)
STRUM PATTERNS (MORE ADVANCED)
STRUM W/POWER CHORDS (INTERMEDIATE)
SWEEP PICKING ARPEGGIOS (TRIADS IN THE KEY OF D)
SWEEP PICKING ARPEGGIOS (CHALLENGE SONG)
TRIADS (ROOT POSITION PROGRESSION)
TRIADS (1ST INVERSION PROGRESSION)
TRIADS (2ND INVERSION PROGRESSION)
TRIAD/CHORD-TONES (4TH FORM MAJOR)
TUNING (NATURAL HARMONIC METHOD)
TUNING DOWN (WHOLE AND HALF STEP) WITH TUNER
TWO-POINT CONNECTION SYSTEM (ALL 5 MAJOR PENTATONIC FORMS)
TWO-POINT CONNECTION SYSTEM (ALL 5 MINOR PENTATONIC FORS)
TWO-POINT CONNECTION SYSTEM (3-NOTE-PER-STRING)
THE ULTIMATE LEGATO EXERCISE (LESSON)
THE ULTIMATE MEMORIZATION TECHNIQUE (PLUS BONUS MEMBER FOOTAGE)
Challenge Songs/Solos:
12-BAR PROGRESSION USING (A5, D5, AND E5 POWER CHORDS)
12-BAR PROGRESSION USING (5TH AND 6TH POWER CHORDS)
12-BAR PROGRESSION USING (5TH, 6TH, AND FLAT7TH CHORDS)
2ND FORM MINOR SCALE (70'S DANCE)
2ND FORM MAJOR DIATONIC SCALE *INTRO TO
2ND FORM MAJOR PENTATONIC SCALE *INTRO TO
2ND FORM MAJOR PENTATONIC SCALE
2ND FORM MINOR PENTATONIC *INTRO TO
7TH CHORDS, MAJOR AND MINOR *INTRO TO
AEOLIAN, E (RED FORM) *INTRO TO
AEOLIAN, E (ORANGE FORM) *INTRO TO
AEOLIAN, E (YELLOW FORM) *INTRO TO
AEOLIAN, E (GREEN FORM) *INTRO TO
AEOLIAN, E (BLUE FORM) *INTRO TO
AEOLIAN, E (INDIGO FORM) *INTRO TO
ALTERNATE PICKING ARPEGGIOS *INTRO TO
ALTERNATE PICKING ROCK *INTRO TO
ALTERNATE PICK PENTATONIC SCALE *INTRO TO
ALTERNATE PICK PENTATONIC SCALE
ARPEGGIATING CHORDS (HOUSE OF THE RISING SUN) *INTRO TO
ARPEGGIATING CHORDS (HOUSE OF THE RISING SUN)
ARPEGGIATING CHORDS 2 (IN THE STYLE OF REM) *INTRO TO
ARPEGGIATING CHORDS 2 (IN THE STYLE OF REM)
Bm (IN THE STYLE OF U2) *INTRO TO
BACKING TRACK IN C MAJOR (FOR IMPROVISING)
BENDS (CLAPTON-STYLE) *INTRO TO
BENDS, OPEN POSITION *INTRO TO
BIG DIPPER (MODIFIED) SHAPE *INTRO TO
BIG DIPPER (MODIFIED) 2 *INTRO TO
BLUES SCALE (2ND & 4TH FORMS) *INTRO TO
BLUES TURNAROUNDS (BASIC) *INTRO TO
BOX FORM (TOP), MINOR *LESSON AND INTRO
BOX FORM (TOP), MINOR V.2 *LESSON AND INTRO
BOX FORM (MIDDLE), MINOR *LESSON AND INTRO
C MAJOR SCALE (1-STRING) *INTRO TO
C MAJOR SCALE W/CHORDS *INTRO TO
CADD9 (IN THE STYLE OF POISON) *INTRO TO
CADD9 (IN THE STYLE OF POISON)
CAGED SOLO (FUNK/BLUES) W/BONUS LESSON
CHORD MELODY (PART 1) *INTRO TO
CHORDS OPEN: CAGED (RUNNIN’ DOWN A DREAM)
CHORD SWITCH WITHIN STRUM PATTERNS *INTRO TO
CHORD SWITCH WITHIN STRUM PATTERNS
CHORD-TONE TARGETING (INTRO TO)
CHORD-TONE SOLO (4TH FORM MAJOR)
CHORD-TONE SOLO (2ND FORM MAJOR)
CONNECTING CHORDS W/BASS NOTES (INTRO TO)
CONNECTING CHORDS W/BASS NOTES
DEAD FLOWERS (IN THE STYLE OF)
DEATH THEATER (KILLER WARM UP)
DOM 7 BARRE CHORDS MIXED PROGRESSIONS (4TH & 2ND FORMS)
DORIAN, A (RED FORM) *INTRO TO
DORIAN, A (ORANGE FORM) *INTRO TO
DORIAN, A (YELLOW FORM) *INTRO TO
DORIAN, A (GREEN FORM) *INTRO TO
DORIAN, A (BLUE FORM) *INTRO TO
DORIAN, A (INDIGO FORM) *INTRO TO
DORIAN, A (VIOLET FORM) *INTRO TO
DROP D (THREE DAYS GRACE STYLE) *INTRO TO
DROP D (THREE DAYS GRACE STYLE)
DROP D MUTED ALT PICKING *INTRO TO
FINGERPICKING, BASIC (FREEBIRD STYLE) *INTRO TO
FINGERPICKING, BASIC (FREEBIRD STYLE)
FINGERPICKING, (INTERMEDIATE) *INTRO TO
FLOYD-STYLE (CHORDS & LEAD) *INTRO TO
FOXY LADY-STYLE (DIATONIC) *INTRO TO
FOXY LADY-STYLE (PENTATONIC) *INTRO TO
HAPPY SHRED-STYLE (5TH & 1ST MAJOR FORMS) *INTRO TO
HARMONIC MINOR, (OPEN) *INTRO TO CS
HARMONIC MINOR, (4TH FORM) *INTRO TO CS
HUNGRY HEART STYLE (INTERMEDIATE PICKING) *INTRO TO
HUNGRY HEART STYLE (INTERMEDIATE PICKING)
I LOVE ROCK AND ROLL (IN THE STYLE OF) *INTRO TO
I LOVE ROCK AND ROLL (IN THE STYLE OF)
(INDIGO FORM CS) PATTERN RECOGNITION
INTO THE MYSTIC-STYLE *INTRO TO
IONIAN, G (RED FORM) *INTRO TO
IONIAN, G (ORANGE FORM) *INTRO TO
IONIAN, G (YELLOW FORM) *INTRO TO
IONIAN, G (GREEN FORM) *INTRO TO
IONIAN, G (BLUE FORM) * INTRO TO
IONIAN, G (INDIGO FORM) *INTRO TO
IONIAN, G (VIOLET FORM) *INTRO TO
IONIAN, G (RED AND ORANGE FORMS) *INTRO TO
IONIAN, G (RED AND ORANGE FORMS)
JAYHAWKS-STYLE (2ND & 3RD MAJOR FORMS) *INTRO TO
LOCRIAN, F# (RED FORM) *INTRO TO
LOCRIAN, F# (ORANGE FORM) *INTRO TO
LOCRIAN, F# (YELLOW FORM) *INTRO TO
LOCRIAN, F# (GREEN FORM) *INTRO TO
LOCRIAN, F# (BLUE FORM) *INTRO TO
LOCRIAN, F# (INDIGO FORM) *INTRO TO
LOCRIAN, F# (VIOLET FORM) *INTRO TO
LYDIAN, C (RED FORM) *INTRO TO
LYDIAN, C (ORANGE FORM) *INTRO TO
LYDIAN, C (YELLOW FORM) *INTRO TO
LYDIAN, C (GREEN FORM) *INTRO TO
LYDIAN, C (BLUE FORM) *INTRO TO
LYDIAN, C (INDIGO FORM) *INTRO TO
MAJOR CHORDS (MOVEABLE) HENDRIX FORM
MAJOR DIATONIC SCALE (1ST FORM)
MAJOR DIATONIC SCALE (3RD FORM)
MAJOR DIATONIC SCALE (5TH FORM)
MAJOR DIATONIC SCALE (5TH FORM) 2
MAJOR PENTATONIC SCALE (1ST FORM)
MAJOR PENTATONIC SCALE (3RD FORM)
MAJOR PENTATONIC SCALES (ALL 5) *INTRO TO
MAJOR PENTATONIC SCALES (ALL 5)
MAJOR 7TH CHORDS (OPEN) *INTRO TO
MAJOR 7TH CHORDS (4TH AND 2ND FORMS) *INTRO TO
MAJOR 7TH CHORDS (4TH AND 2ND FORMS)
MARGARITAVILLE (IN THE STYLE OF)
MINOR CHORDS, OPEN “VINNIE” *INTRO TO
MINOR DIATONIC SCALE, SANTANA STYLE (4TH FORM)
MINOR PENTATONIC (E), IN THE STYLE OF KIRK HAMMETT *INTRO TO
MINOR PENTATONIC (E), IN THE STYLE OF KIRK HAMMETT
MINOR PENTATONIC SCALE (5TH FORM)
MINOR 7TH CHORDS (OPEN) *INTRO TO
MISLED (FIRST 6 MAJOR CHORDS) *INTRO TO
MIXOLYDIAN, D (RED FORM) *INTRO TO
MIXOLYDIAN, D (ORANGE FORM) *INTRO TO
MIXOLYDIAN, D (YELLOW FORM) *INTRO TO
MIXOLYDIAN, D (GREEN FORM) *INTRO TO
MIXOLYDIAN, D (BLUE FORM) *INTRO TO
MIXOLYDIAN, D (INDIGO FORM) *INTRO TO
NEW COUNTRY (UPDATED) *INTRO TO
OPEN CHORDS 2 (IN THE STYLE OF HEY JOE) *INTRO TO
OPEN CHORDS 2 (IN THE STYLE OF HEY JOE)
OPEN CHORDS 3 (IN THE STYLE OF RUNNIN’ DOWN A DREAM) *INTRO TO
OPEN CHORDS 3 (IN THE STYLE OF RUNNIN’ DOWN A DREAM)
OPEN POWER CHORDS (BACK IN BEVERLY HILLS) *INTRO TO
OPEN POWER CHORDS (BACK IN BEVERLY HILLS)
(ORANGE FORM CS) QUEEN MEETS PRINCE
PALM MUTING (90’S ALT ROCK STYLE) *INTRO TO
PALM MUTING (90’S ALT ROCK STYLE)
PALM MUTING (BLUES STYLE) *INTRO TO
PENTATONIC SCALE 2 (OPEN) *INTRO TO
PENTATONIC (OPEN) SOLO *INTRO TO
PHRYGIAN, B (RED FORM) *INTRO TO
PHRYGIAN, B (ORANGE FORM) *INTRO TO
PHRYGIAN, B (YELLOW FORM) *INTRO TO
PHRYGIAN, B (GREEN FORM) *INTRO TO
PHRYGIAN, B (BLUE FORM) *INTRO TO
PHRYGIAN, B (INDIGO FORM) *INTRO TO
PHRYGIAN, B (VIOLET FORM) *INTRO TO
PINK FLOYD-STYLE (LEAD) *INTRO TO
PINK FLOYD-STYLE (RHYTHM) *INTRO TO
POWER CHORDS (MOVEABLE) IN THE STYLE OF WILD THING *INTRO TO
POWER CHORDS (MOVEABLE) IN THE STYLE OF WILD THING
POWER CHORDS (OPEN TO MOVEABLE) IN THE STYLE OF DIO *INTRO TO
POWER CHORDS (OPEN TO MOVEABLE) IN THE STYLE OF DIO
POWER CHORDS (MOVEABLE 6TH & 5TH STRING ROOT) *INTRO TO
POWER CHORDS (MOVEABLE 6TH & 5TH STRING ROOT)
POWER CHORDS (MOVEABLE 5TH STRING ROOT) *INTRO TO
POWER CHORDS (MOVEABLE 5TH STRING ROOT)
POWER CHORDS, MOVEABLE (A5 TO A6) *INTRO TO
POWER CHORDS, MOVEABLE (A5 TO A6)
POWER CHORDS, MOVEABLE (POP PUNK STYLE) *INTRO TO
POWER CHORDS, MOVEABLE (POP PUNK STYLE)
(RED FORM CS) ALL THE YOUNG LADS
ROOT-CHORD STRUMMING *INTRO TO
SANTA FE (MIXED OPEN MAJ & MIN CHORDS) *INTRO TO
SANTA FE (MIXED OPEN MAJ & MIN CHORDS)
SCALE SEQUENCES IN 3’S *INTRO TO
SCALE SEQUENCES IN 4’S *INTRO TO
SHRED SCALE 3'S ASCENDING & DESCENDING
SHRED SCALE 4'S ASCENDING & DESCENDING
SLIDE (LEAD & RHYTHM) *INTRO TO
STRUMS (FIRST THREE) *INTRO TO
STRUM (INTERMEDIATE) W/POWER CHORDS *INTRO TO
STRUM (INTERMEDIATE) W/POWER CHORDS
SWEEP ARPEGGIOS (CYCLE OF 4THS) *INTRO TO
SWEEP ARPEGGIOS (CYCLE OF 4THS)
TAPPING (ACROSS THE STRINGS) *INTRO TO
TIME SIGNATURES (PART 1) *INTRO TO
TIME SIGNATURES (PART 2) *INTRO TO
TWO-POINT CONNECTION SYSTEM (MAJOR PENTATONIC) *INTRO TO
TWO-POINT CONNECTION SYSTEM (MAJOR PENTATONIC)
TWO-POINT CONNECTION SYSTEM (MINOR PENTATONIC) *INTRO TO
TWO-POINT CONNECTION SYSTEM (MINOR PENTATONIC)
WONDERFUL TONIGHT (IN THE STYLE OF)
(YELLOW FORM CS) LET IT BE JIMI
Extended Practice-Alongs:
DIATONIC/PENTATONIC SCALES, MAJOR (2ND FORM)
DIATONIC/PENTATONIC SCALES, MAJOR (4TH FORM)
DIATONIC SCALE, MINOR (2ND FORM)
DIATONIC SCALE, MINOR (4TH FORM)
PENTATONIC SCALE, MINOR (2ND FORM)
PENTATONIC SCALE, MINOR (4TH FORM)
POWER CHORDS (6TH, 5TH STRINGS)
SPIDER EXERCISE (INTERMEDIATE)
Artist Series:
The Beatles' 35 Greatest Guitar Techniques
Eric Clapton's 42 Greatest Guitar Techniques
Dimebag Darrell's 29 Greatest Guitar Techniques
John Frusciante's 14 Greatest Guitar Techniques
David Gilmour's 14 Greatest Guitar Techniques
Eddie Van Halen's 25 Greatest Guitar Techniques
Jimi Hendrix's 22 Greatest Guitar Techniques
Tony Iommi's 21 Greatest Guitar Techniques
John Mayer's 22 Greatest Guitar Techniques
Megadeth's 22 Greatest Guitar Techniques
Metallica's 29 Greatest Guitar Techniques
Jimmy Page's 17 Greatest Guitar Techniques
Randy Rhoads' 21 Greatest Guitar Techniques
Joe Satriani's 21 Greatest Guitar Techniques
Slash's 17 Greatest Guitar Techniques
Soundgarden's 21 Greatest Guitar Techniques
Stevie Ray Vaughan's 23 Greatest Guitar Techniques
Angus Young's 18 Greatest Guitar Techniques
Ritchie Blackmore’s 26 Greatest Guitar Techniques
Elton John’s 10 Greatest Guitar Moments
John Petrucci’s 28 Greatest Guitar Techniques
Brian May’s 31 Greatest Guitar Techniques
Jerry Cantrell’s 24 Greatest Guitar Techniques
Tool’s Adam Jones’ 22 Greatest Guitar Techniques
Weezer’s 22 Greatest Guitar Techniques
Jack White’s 24 Greatest Guitar Techniques
Mick Mars’ 30 Greatest Guitar Techniques
Billy Corgan’s 19 Greatest Guitar Techniques
MUSIC NOTATION SECTION
CHORDS (3-STRING) *LESSON & INTRO TO CS
CHORDS (4-STRING) *LESSON & INTRO TO CS
FULL CHORDS & ROOT CHORD STRUMMING *INTRO TO
FULL CHORDS & ROOT CHORD STRUMMING
Theory Library
CIRCLE OF 5THS (A DEEPER LOOK)
MAJOR SCALE INTERVALS (A DEEPER LOOK)
THE MINOR SCALE AND RELATIVE KEYS
MINOR PENTATONIC AND MINOR TRIADS
BASIC RHYTHM NOTATION/COUNTING
TIME SIGNATURES (PART 1) *INTRO TO
TIME SIGNATURES (PART 2) *INTRO TO
TRIPLETS (EIGHTH, QUARTER, AND SIXTEENTH NOTE)
FOUR TRIADS (ROOT POSITION) & PROGRESSION
TRIADS (1ST INVERSION) & PROGRESSION
TRIADS (2ND INVERSION) & PROGRESSION
RESTS (BASIC) COUNTING & NOTATION
Misc. Lessons:
20 GOOD HABITS TO PROTECT YOUR GEAR
HOW TO FILL SPACE AS A GUITARIST
EAR TRAINING
SOUND QUIZ: PERFECT 5TH INTERVAL
CS: 12-BAR PROGRESSION TRAINING
SONG RECIPES: (DEEPER THAN TAB)